His light tenor voice and smooth, conversational phrasing made him an ideal interpreter for the major songwriters of his era, and he introduced dozens of pop standards, many of them written expressly for him, by such composers as Harold Arlen, Irving Berlin, George Gershwin, Jerome Kern, Burton Lane, Frank Loesser, Johnny Mercer, Cole Porter, Arthur Schwartz, Harry Warren, and Vincent Youmans. Although his efforts as a dancer necessarily overshadowed his purely musical work, he made hundreds of recordings over a period of more than 50 years, resulting in several major hits.
Astaire's long career breaks down neatly into four major phases. From 1905 to 1917, he and his sister Adele Astaire (b. Sep 10, 1897; d. Jan 25, 1981) danced and sang as the team of Fred and Adele Astaire in vaudeville. From 1917 to 1933, Astaire worked in the legitimate theater in 11 stage musicals, ten of them with his sister. From 1933 to 1957, he appeared in 30 movie musicals, ten of them teaming him with Ginger Rogers. From 1957 to 1981, he worked mostly as a character actor in films and on television.
He made his final film appearance in the thriller Ghost Story, released in December 1981. He died of pneumonia at 88 on June 22, 1987.
"Cheek to Cheek" is a song written by Irving Berlin, and first performed by Fred Astaire in the movie Top Hat (1935). Astaire's 1935 recording with the Leo Reisman Orchestra was inducted into the Grammy Hall of Fame in 2000.
The song is probably most famous for its opening lines, "Heaven, I'm in heaven, and my heart beats so that I can hardly speak..." and quickly became a standard of the Great American Songbook. The lyrics were parodied by Berlin himself in his subsequent song He Ain't Got Rhythm, from the film On the Avenue (1937).
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